GOAT Review: Thalapathy Vijay, Prashanth, and Prabhu are among the cast members of director Venkat Prabhu’s spy thriller. While creating a film as a tribute to Vijay, the filmmaker finds it difficult to develop a simple plot.

In summary,
on September 5, Thalapathy Vijay’s “GOAT” was launched in theaters .The movie’s plot is extremely shallow, yet it features a lot of references.
· Vijay’s penultimate movie before turning full-time politician is “GOAT.”
Members of the cast and crew
Thalapathy Vijay’s penultimate film before he fully devotes to politics is called “The Greatest of All Time,” or “GOAT.” Following his career trajectory, it becomes evident why “GOAT” is arguably the ideal moniker for Vijay. The spy thriller directed by Venkat Prabhu solidifies Thalapathy Vijay’s status as “the greatest of all time.”
Under the leadership of Nasser (Jayaram), Gandhi (Vijay), Sunil (Prashanth), Kalyan (Prabhu dheva), and Ajay (Ajmal Ameer) form the Special Anti-Terrorism Squad (SATS). They work as a productive and enjoyable team and complete tasks without difficulty. But when Gandhi travels to Thailand with his son Jeevan and pregnant wife Sneha on a mission, he suffers a terrible loss that makes him look for a less dangerous career.

However, when he travels to Moscow for work, he is in for an emotional surprise. He meets his enemy just when he thinks he’s settled into a nice existence. Gandhi re-joins the SATS team to take on the antagonist as the narrative progresses.
The Vijay tribute film directed by Venkat Prabhu is full of amazing scenes honoring the actor. not the celestial body. The director, who is renowned for his unorthodox storytelling and flawless comic timing, chooses to tackle a traditional two-hero scenario. However, since it doesn’t really provide anything fresh, it’s perhaps the weakest plot in Venkat’s filmography. Even though he has crammed it full of twists and turns and surprises, the predictability elements derail the action.

Consider the Metro combat scene, for instance. The senior Vijay appears to be battling a fresh antagonist. Even though the evil is disguised, it is evident who they are prior to their reveal. Certain surprises are effective, while others are not. The movie takes off once Venkat Prabhu uses Vijay’s comedic timing, although this effect is fleeting.
The ‘GOAT’ storyline is quite weak and primarily relies on allusions instead of a compelling storyline. Its three-hour duration and this put a strain on your patience. But the real action in Venkat Prabhu’s film happens in the last thirty minutes. The writing appears to be drowning, but then there are twist after twist and cameo after cameo. It is this final stretch that enables the audience to leave smiling.
As an actor, Vijay excels in portraying two distinct personas on screen. You can’t help but enjoy him as the youthful Vijay, bringing to life his character from “Azhagiya Tamizh Magan.” The movie serves as a sobering reminder that Vijay, one of the most well-known performers in Tamil cinema, is nearing the end of his career.

The screenplay by Venkat Prabhu vividly depicts all of Vijay’s signature situations and makes allusions to his previous films and political debut. Despite his prominence, Vijay has accepted some writing choices, which makes for some of the most memorable scenes. Consider the situation where an actor hands the baton to another actor. Their exchange of language creates a magnificent dramatic scene.
Vijay is well-supported by the supporting cast of “GOAT,” which includes Prashanth, Prabhu dheva, Sneha, Mohan, Jayaram, and Meenakshi Chaudhary, among others. The actors from bygone eras arouse nostalgia in their moments, and it’s entertaining to watch them poke fun at one another. It’s best to say as little as possible about Mohan, who portrays one of the antagonists, Menon.

In addition to the conventional plot, Yuvan Shankar Raja’s music is a major disappointment. The experience is hampered by the background music and song placement.
“GOAT” relies on technology that slows aging. It brings the late politician and actor Vijayakanth to life on screen. But the AI effort falls short of what was anticipated. The creators did a pretty good job of showing younger vs. older Vijay with the use of de-aging technology. However, the de-aging job is rather poor in the flashback scenes that feature a younger Vijay in his teens.
“GOAT” is erratic and resolves itself in the pre- and climax scenes. Await the clever asides and allusions that will make up for the shortfalls.